I think, therefore I listen. Here you will find a collection of emerging artists and under-appreciated music that should be shared with the world, as well as an occasional Chicago concert scene update.
Young the Giant brought down a sold out house at the Riviera Theater on Thursday (with opener Walk the Moon), courtesy of MTVU.
Today's progressive indie rock outfit is a 4-piece from D.C. with an attitude and an especially attuned sense of musical style. U.S. Royalty carefully crafts each song as a purely unique and original inspiration, and their renowned production team headed by Gus Oberg (The Strokes, Albert Hammond Jr., Bloc Party)made sure the final product of their debut LP released last January, MIRRORS, fully conveys that passion and dedication. Sliding up and down the scale from Blues-y psychedelia to perfectly harmonized indie folk, these boys pour enough heart and energy into these tracks to fuel any mood throughout your day. Check these smooth ones:
Phantogram made a much-anticipated appearance at Metro last week, and besides knocking out the crowd with an intensely powerful show, they included in the show set the entirety of their new EP...
...which dropped today! These guys have accumulated quite a following in the past year or so with their debut LP Eyelid Movies, released in 2009 but only recently receiving the attention it deserves. Hailing from rural Saratoga Springs in upstate New York, the duo of Joshua Carter and Sarah Barthel have been collaborating on songwriting and composing for a number of years and have really hammered out a beautifully smooth operation. Their blend of electric guitar, keyboard, and heavy beats is reminiscent of the indie "psych pop" of the xx or Beach House, but with a more prominent hit-you-in-the-face style that alludes to Sleigh Bells but with much more creativity and tact. They trade off on lead vocals regularly and harmonize on different tracks, which keeps the sound interesting and showcases both of their talents as singers and musicians. These guys will continue to build popularity for the danceability and accessibility of their sound, as evidenced in the presence of their new single "Don't Move" all over the internet lately. In case you haven't heard it yet, check it out along with "Turning into Stone," one of my other favorites on the new EP:
As expected, Washed Out was excellent at the Riviera Theater last night. Even without a proper sound check, Ernest Greene's ensemble adeptly played a selection of their more upbeat songs, drawn from both of his albums and some unrecorded material, and the dance-ability of their pioneering glo-fi style became even more apparent with a real drum set and guitars.
And naturally, the Aussie dance-rockers Cut Copy brought down the packed house, sounding every bit as catchy and brilliant as we have come to expect. They played an excellent balance of new and old songs, effectively promoting their wonderful summer release but not leaving out anyone's favorites from their previous albums. They will be on the road a while longer, so catch them coming through your town while they are still stateside.
Today's emerging act is another group of young and talented Chicagoans, born and raised. The four-piece YAWN started in high school and has been playing its unique brand of synthrock for the last couple years, first releasing an eponymous EP in July 2010 (which is still available for FREE on their website) in order to get their name out, and building up to the release of their full LP Open Season a couple weeks ago on August 30. At first listen, they could easily be Animal Collective's little brother; but apart from lead singer Adam Gil's synthesized vocals remarkably emulating Avey Tare's, YAWN is entirely their own creation, and the similarities quickly become superficial in light of the varied samples and driving beats that characterize their accessible sound. Psychedelic in the best possible way, the deep layers of each track beckon one to listen more closely every time, and the members combine electronic elements to create a sound much more mature than their years. Pump it:
Ernest Greene began his career in the bedroom of his home in rural Perry, Georgia, and the sleepy origins of his music pervade through the style to the very core. From the myspace upload of his first few songs as Washed Out a couple years ago, he immediately became a music blogger favorite, and his first full-length album Within and Without, released last month, has already achieved widespread acclaim from the online music community. Like a soundtrack to a dream, the smoothly pulsating 80's-style beats and soothing unintelligible vocals lull you into the most peaceful nap of the summer. Developed in the Sub Pop studio with indie favorite Ben Allen and the same production crew as Animal Collective and Deerhunter, Within and Without delivers a more polished and enchanting sound than Greene's previous releases and, along with other chillwave acts including Greene's personal friend Toro Y Moi and Neon Indian, the album is crafting a new sub-genre appropriately dubbed "glo-fi."These two tracks are perfect for playing on the beach, in the park, on your daily commute, or just about anywhere that could use a little chill:
As mentioned in a previous post, Washed Out is opening for Cut Copy at the Riviera Theatre in Chicago on September 20, and it is sure to be brilliant. Get your tickets NOW.
As mentioned previously, Memory Tapes played here in Chicago last night, and the show was excellent. Frontman Dayve Hawk trades in keyboards and synthesizers for electric guitars in his live shows, and the result is a refreshingly organic combination of synthrock and indie dance. That show concluded his current U.S. tour, but make sure to catch him next time he is out on the road.
Today's emerging artist, White Denim, has been producing experimental garage rock out of Austin, Texas since 2006, but with the release of their latest album D this past May, they have truly come into their element. Leaving behind the lo-fi jam band sound of their previous albums, they added a fourth member and focused their talent in the studio for a much more polished and accessible result. Drawing on classic rock roots (something between Deep Purple and Jethro Tull), each track on this new album is unique but coherent in the progressive and slightly psychedelic style of the band's new resolve. Give it a try:
