I hear you screaming out to the light

Young the Giant brought down a sold out house at the Riviera Theater on Thursday (with opener Walk the Moon), courtesy of MTVU.

Today's progressive indie rock outfit is a 4-piece from D.C. with an attitude and an especially attuned sense of musical style. U.S. Royalty carefully crafts each song as a purely unique and original inspiration, and their renowned production team headed by Gus Oberg (The Strokes, Albert Hammond Jr., Bloc Party) made sure the final product of their debut LP released last January, MIRRORS, fully conveys that passion and dedication. Sliding up and down the scale from Blues-y psychedelia to perfectly harmonized indie folk, these boys pour enough heart and energy into these tracks to fuel any mood throughout your day. Check these smooth ones:

Equestrian by usroyalty

Monte Carlo by usroyalty

You know it's all in your head

In case you haven't been on turntable.fm much lately, Generationals released a new LP last March, Actor-Caster, that has gradually become a huge indie favorite. Slightly less lo-fi than their debut of 2009, the album demonstrates that these New Orleans kids have developed their style while maintaining their unique sound. The old school beach rock vibe is definitely still prevalent, but the hooks are more sophisticated and the instrumentation is more... well, it's just more. Each new track has its own flavor, and they experimented with different rhythms and production styles to create something truly interesting and remarkable. The entire songlist warrants a listen from beginning to end (except maybe "Yours Forever"; that track is really annoying and out of place with the rest of the album), and I had a very difficult time choosing which two to give you, but start with these and then promise me you will check out the rest.

Generationals - I Promise by Sound Thinking

Generationals - Black and White by Sound Thinking

Are you still afraid to drown?

Local Natives came to Chicago a few weeks ago, and did not disappoint (as ever). But the best part was that they were merely the opening band...

The National brought down the house, with pretty much unanimous crowd participation. Of course all this is to be expected from two of the most notable and accesible bands to represent the indie genre.

Today I want to introduce you to Motopony, an unassuming but quickly rising act from Seattle. Balancing neatly between hard-driven progressive rock and enchanting acoustic indie, this five-piece group does their Pacific Northwestern roots proud on their debut eponymous album released last May.
Hear for yourself:

Motopony - Seer by Song of the Day

Can you feel the leeches bite?

Although these guys hardly need any press in their native UK or even in Europe for that matter, Bombay Bicycle Club has hardly received the attention they deserve Stateside. After their catchy and promising debut album I Had The Blues But I Shook Them Loose in 2009, their popularity erupted from London outwards, and they followed it up with 2010's soothing Flaws, a collection of acoustic tracks including a couple of lovely cover songs. But neither of these two notable albums foretold the release of their newest LP A Different Kind Of Fix this August, a truly brilliant masterpiece of indie rock. While tightening up some of the more raucous elements of their first album, they adeptly blended the best aspects of all their previous work, and there is not a single track that I would not STRONGLY recommend. The heavier rock songs are still beautifully coordinated, and the more melodic slow pieces are every bit as inspired and  charming. I have not enjoyed a full album this much since Foals' marvelous Total Life Forever last year (still one of my favorites), so chalk another one up for the post-Britpop indie team. I honestly could not decide which tracks to share, but since these two were selected by the band themselves as their singles, I figured they are a good place to start (but afterwards you really must listen to the whole album, no joke):

Bombay Bicycle Club "Shuffle" (radio edit) by GrillMarketing

Bombay Bicycle Club - Lights Out, Words Gone by The Sifting Pan

We’re quite not a raging winter

Gardens & Villa rocked the Empty Bottle last Friday, exceeding my expectations for such a young band. Known for always playing live (even in studio), these guys have a natural talent for getting the crowd moving and they will definitely continue to gain notoriety, so catch them while they are still playing small venues.

As a Los Angeles expatriate, I generally don't have much taste for the glitzy glam rock that seems to emanate from Southern California, but occasionally there is a unique group that breaks that mold and deserves some attention. Fool's Gold is one such band, and their sound is definitely unique enough to qualify. The blend of Caribbean/Afrobeats and indie dance riffs provides a solid rhythmic framework for Luke Top's crooning vocals, and the combination is simultaneously catchy and deep enough to fill a stadium (or your best circumaural headphones). After their self-titled debut LP release in 2009, which employed mainly Hebrew lyrics, they tightened up their sound and moved on to a more accessible style and primarily English vocalization (with just an occasional verse or two in a Hebrew) for this August's release of their stellar sophomore album, Leave No Trace. I dare you not to tap your toes and nod your head to these:

Fool's Gold - Street Clothes by iamsoundrecords

Fool's Gold - Wild Window by iamsoundrecords

Constant drip and drop

Although they are well-known amongst the progressive reggae scene, Toronto-based Bedouin Soundclash remains relatively unrecognized outside the genre, despite their genre-bending tendencies and accessible alternative sound. Since their independently-released debut album Root Fire while they were still in college together in 2001, they have produced a steady flow of part-reggae, part-ska, part-completely unique sound and have slowly gained renown throughout their native Canada and parts of the U.S. While frontman Jay Malinowski's vocals and lyrics may have seemed fragile and tentative on their early albums, with the release of Light the Horizon this past year, they dispel any hint of insecurity and truly define their own style in a way they have never before. Alongside the beautiful duet with fellow Canadian Coeur de Pirate on "Brutal Hearts," the album maintains their signature sound but polishes the details to create an even smoother listening experience. Give it a try:

Bedouin Soundclash - Brutal Hearts (ft. Coeur de Pirate) by BallgameTracks

A Chance Of Rain by BedouinSoundclash

Your heart, concrete

As mentioned previously, Memory Tapes played here in Chicago last night, and the show was excellent. Frontman Dayve Hawk trades in keyboards and synthesizers for electric guitars in his live shows, and the result is a refreshingly organic combination of synthrock and indie dance. That show concluded his current U.S. tour, but make sure to catch him next time he is out on the road.

Today's emerging artist, White Denim, has been producing experimental garage rock out of Austin, Texas since 2006, but with the release of their latest album D this past May, they have truly come into their element. Leaving behind the lo-fi jam band sound of their previous albums, they added a fourth member and focused their talent in the studio for a much more polished and accessible result. Drawing on classic rock roots (something between Deep Purple and Jethro Tull), each track on this new album is unique but coherent in the progressive and slightly psychedelic style of the band's new resolve. Give it a try:

White Denim - Drug by ProspectPark

White Denim - Anvil Everything by explodinginsound

A Brave New World

Having recently moved across the country from Los Angeles to Chicago for graduate school and finding myself supplied with an uncustomary amount of free time, I decided to begin sharing one of my greatest passions with the world and create an amateur music blog of sorts. Music is one of the greatest uniting products of humankind, as it reaches across lingual, cultural, geographical, political, and generational gaps. Music makes us feel better, feel worse, feel excited, feel angry, feel alive. I, like many of you, spend a significant portion of my life exploring and discovering excellent new music, much of which never makes it off the ground for lack of recognition. This trifling attempt to remedy the situation is my small contribution to the beautifully uplifting universe of music.

For my first recommendation, I find it appropriate to pass on an up-and-coming band that is starting to make a big splash in the world of "indietronica" this summer alongside leading acts à la Yeasayer, Animal Collective, etc. Hooray for Earth is a four-man group originally from Boston, masterminded by singer and producer Noel Heroux. They often collaborate with the Zambri sisters in New York City, with wonderfully harmonious results. After a commendable effort on the MOMO EP in June 2010, they released the marvelous full-length True Loves this past June 2011. Check out these two tracks:

Hooray for Earth - True Loves by memphisindustries

Hooray For Earth - No Love by luzguz07

They are coming through Chicago on October 21, playing with Cymbals Eat Guitars at Lincoln Hall. Get your tickets NOW.